LORENA LO PENA / ARTISTA
  • Inicio
  • Performance Art / Arte accion
    • Manicuras Mentales
    • Vello Bello
    • ENCAJA/INSERT: S vs. L
    • Cartografía Anatómica
    • Beauty Hurts II / La belleza duele
    • Comer para Vivir 2 / Eat to Live 2
    • COME HOMBRE 1 y 2
    • PLAN(I)SFERIO
    • Probador / Fitting Room
    • FULL METAL DRESS / committed immigrant
    • CHEW / Mastica
    • ID Matters / Materias de Identidad
    • Pellejo / PELT
    • 413.223.78
    • Beauty Hurts I / La Belleza Duele
    • High Heel Marathon / Maraton en Tacos
    • La Ultima Cena / The Last Supper
    • Comer para Vivir / Eat to Live
  • Performances en colaboracion
    • The Acts / Los Actos por Jill Greenhalg (UK)
    • Pasarela por Patricia Ariza (Col)
    • Internal Terrains by Natasha Davis (uk))
    • Secret Girl: The Seven Kimgs de Gabriella Sacco (IT/NL)
    • Construccion: en expansion con Ivonne Good (CH)
  • Video-Performance y Foto-Performance
    • Cuerpo Materia
  • Artes Escenicas
    • Absurdas / Absurds
    • Cuidate! / Beware!
    • Golosina - Revancha Teatral / Sweets - A Theatrical Revenge
    • BIO Teatro
  • Video / Short Film Work
    • Buscando a Claudia / Looking for Claudia
    • Caminando con Fantasmas
  • Pedagogias Alternas
  • Gestion y Produccion artistica y culi
    • elgalpon. espacio / A Performance Space Project
  • Bio
  • Contact / Contacto
Imagen

November 2010
View VIDEOS // PHOTOS

HIGH HEEL MARATHON

As Simone de Beauvoir said:
"You're not born a woman, you become a woman."

High Heel Marathon is a performance that reflects on the Social Standards of Womanhood and the Aesthetic Rituals we –girls/women- go through to try to achieve them by inviting the audience to witness a Marathon-Race in high heels as a Ritual to become a “Real/Proper/Super Woman”. 

Womanhood is the period in a female's life after she has transitioned through childhood and adolescence. Many cultures have rites of passage to symbolize a girl's coming of age, such as confirmation in some branches of christianity, bat mitzvah, in Judaism, or even just the custom of a special celebration for a certain birthday (generally between 12 and 21), like the Quinceañera of Latin America.

We must ask ourselves, in every interpretation of rite, about “the social function of the rite and the social significance of the boundaries or limits that the ritual allows to cross in a legitimate way” (Bourdieu, 1997: 117).

Con tecnologĂ­a de Crea tu propio sitio web con las plantillas personalizables.
  • Inicio
  • Performance Art / Arte accion
    • Manicuras Mentales
    • Vello Bello
    • ENCAJA/INSERT: S vs. L
    • Cartografía Anatómica
    • Beauty Hurts II / La belleza duele
    • Comer para Vivir 2 / Eat to Live 2
    • COME HOMBRE 1 y 2
    • PLAN(I)SFERIO
    • Probador / Fitting Room
    • FULL METAL DRESS / committed immigrant
    • CHEW / Mastica
    • ID Matters / Materias de Identidad
    • Pellejo / PELT
    • 413.223.78
    • Beauty Hurts I / La Belleza Duele
    • High Heel Marathon / Maraton en Tacos
    • La Ultima Cena / The Last Supper
    • Comer para Vivir / Eat to Live
  • Performances en colaboracion
    • The Acts / Los Actos por Jill Greenhalg (UK)
    • Pasarela por Patricia Ariza (Col)
    • Internal Terrains by Natasha Davis (uk))
    • Secret Girl: The Seven Kimgs de Gabriella Sacco (IT/NL)
    • Construccion: en expansion con Ivonne Good (CH)
  • Video-Performance y Foto-Performance
    • Cuerpo Materia
  • Artes Escenicas
    • Absurdas / Absurds
    • Cuidate! / Beware!
    • Golosina - Revancha Teatral / Sweets - A Theatrical Revenge
    • BIO Teatro
  • Video / Short Film Work
    • Buscando a Claudia / Looking for Claudia
    • Caminando con Fantasmas
  • Pedagogias Alternas
  • Gestion y Produccion artistica y culi
    • elgalpon. espacio / A Performance Space Project
  • Bio
  • Contact / Contacto